Description
Apogee Press, paperback
Publication Date: December 1, 2019
Published:Ed Smallfield’s TO WHOM IT MAY CONCERN enters into the unfixity of time and experience. In this elusive realm, Smallfield unerringly finds the ‘curve of binding energy’ in which a protagonist who is an ‘unself’ emerges. Throughout Smallfield’s lyric meditation, eros and erasure alternately fuse and efface until erasure becomes manifestation. Perhaps recollection creates sense of time’s exile; Smallfield adeptly, bravely turns this inside out with ‘a celebration that we own nothing.’ His creative genius is to demonstrate the fullness of absence, whereby the poet can ‘make a thing / by making / nothing.’ Elizabeth Robinson
To read TO WHOM IT MAY CONCERN is to learn to listen to the world all over again. Whether focused outward sludge, // soot slush, / slide tires or inward … something about ‘the music’ in it… or on familiar texts the green / ‘of wrist-thick’ Ed Smallfield’s exquisitely attuned language cultivates space for a greened attention, palpable and breathing. Here, silence and space also are fully alive, … a sentence without words…. In his final, eponymous, section, Smallfield’s profound attention to both presence and absence allows us to hear what beats just beneath the text of John Cage’s Silence, a revelatory listening, in order to free / in it a space, an emptiness, // suddenly singing. Laura Walker
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